Tommy is a producer and engineer
Tommy mixes to analog 1/2" tape
Why use a plug-in when you can use the real thing?
Otari 1/2 inch, 1/2 track using 499 at 30 ips.
Engineer experience
Tommy has engineered many recordings in nearly every genre for others apart from his production experience. He began his recording career at an exclusive, boutique studio in the Los Angeles area.
University of Central Florida
Recording at Avalanche Studios, Denver
Tommy records in the UCF recording studio most often, using a combination of analog and digital technology, especially Pro Tools.
Recording at Avalanche Studios, Denver
Tommy specializes in producing forms of rock music
Recording at Avalanche Studios, Denver
Tommy was recording vocals for Family Album, from Tommy and Dani Harrison, and friends. The collaboration featured Tommy producing and playing guitar, brother Dani on bass, Kenny James on drums, and a number of veteran vocalist from the Denver rock scene when Tommy was playing there.
Tommy specializes in producing forms of rock music
Tommy specializes in producing forms of rock music
Tommy specializes in producing forms of rock music
A producer of all styles of rock and classical music, and an engineer of all other styles.
The number of artists Tommy has worked with is numerous, but some recent ones include: Inspection 12 (Pop/Punk); Raven Cain (Southern Rock); the Hippocrene Saxophone quartet; UCF Faculty Wind Quintet (Classical); Grayson Warren Brown, (Contemporary Christian); Melodist Brynn, (Singer/Songwriter); Dirty Automatic (Hard Rock) and Conflict of Interest (Heavy Metal).
Tommy uses API consoles, Neve pre-amps from the early 1970s, and relies most on analog processing including Manley, Bricasti, Purple, IGS, and Phoenix Audio, with some limited use of plug-ins by Universal Audio.