Tommy is a producer and engineer
Tommy mixes to analog 1/2" tape
Tommy mixes to analog 1/2" tape
Tommy mixes to analog 1/2" tape
Why use a plug-in when you can use the real thing?
Otari 1/2 inch, 1/2 track using 499 at 30 ips.
Engineer experience
Tommy mixes to analog 1/2" tape
Tommy mixes to analog 1/2" tape
Tommy has engineered many recordings in nearly every genre for others apart from his production experience. He began his recording career at an exclusive, boutique studio in the Los Angeles area.
University of Central Florida
Tommy specializes in producing forms of rock music
Tommy specializes in producing forms of rock music
Tommy records in the UCF recording studio most often, using a combination of analog and digital technology, especially Pro Tools.
Tommy specializes in producing forms of rock music
Tommy specializes in producing forms of rock music
Tommy specializes in producing forms of rock music
A producer of all styles of rock and classical music, and an engineer of all other styles.
The number of artists Tommy has worked with is numerous, but some recent ones include: Inspection 12 (Pop/Punk); Raven Cain (Southern Rock); the Hippocrene Saxophone quartet; UCF Faculty Wind Quintet (Classical); Grayson Warren Brown, (Contemporary Christian); Melodist Brynn, (Singer/Songwriter); Dirty Automatic (Hard Rock) and Conflict of Interest (Heavy Metal).
Tommy uses API consoles, Neve pre-amps from the early 1970s, and relies most on analog processing including Manley, Bricasti, Purple, IGS, and Phoenix Audio, with some limited use of plug-ins by Universal Audio.